Fool,
Fool,
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ovarytissue:

My maidenhair fern and fungi♥ 
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magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
magictransistor:

Tim Lukeman
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miss-catastrofes-naturales:

Gerhard Richter
Seestuck #1




You can always sense movement in his work.
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"Don’t mistake my kindness for weakness. I’ll choke you with the same hand I fed you with."
Anonymous (via fawun)
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asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
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magictransistor:

Jack Kerouac listens to himself reading On The Road, on the Radio, 1959.
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armenianhighland:

The Armenian alphabet in the 1486 German travelogue “Peregrinatio in terram sanctam.”
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"I want a trouble-maker for a lover, blood spiller, blood drinker, a heart of flame, who quarrels with the sky and fights with fate, who burns like fire on the rushing sea."
Rumi  (via oldtimefriend)
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thegestianpoet:

the greenhouse 
thegestianpoet:

the greenhouse 
thegestianpoet:

the greenhouse 
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oldtimefriend:

Members of the Venice Beach Girls Dare Club, a group of bathing beauties who do a new stunt every Sunday, playing tightrope basketball.
Venice, California, 1929.